2014 in Review: DP Robert Yeoman on. The Grand Budapest Hotel. When people think of Wes Anderson’s films, often the first thing that comes to mind is their singular look. Here is a director with a signature style, whose films look like nobody else’s. As the year draws to a close, we’re looking back on some of our favorite films and
The structure is self-evident in his latest movie The Grand Budapest Hotel. This time round, Anderson vents his architectural frustrations on a scale real-life architects would die for – or at least open a new eastern European office for. Set in the fictitious Republic of Zubrowka, it is a veritable mitteleuropeisches Gesamtkunstwerk

By Kenneth Turan, Los Angeles Times Film Critic. March 6, 2014 1:32 PM PT. Wes Anderson sweats the details. All of them, all the time, to an extent that can be maddening. But not in ā€œThe Grand

Let's talk about the first train scene in Grand Budapest Hotel. Discussion. The dialogue is impeccable from the very beginning. Wes Anderson really outdid himself here I feel. The dialogue feels fast, and very straightforward. It feels real. The reactions are real. The tension built by the appearance of the death squad is palpable and terrifying. The font for the actual Grand Budapest Hotel looks hand drawn. The font used across the movie for credits etc is called Archer. It reminded me of Otto Eckmann’s font but it doesn’t match. But y’know, a good one to look at. But if it is a font not made just for the sign maybe Art Nouveau? The Grand Budapest Hotel, Wes Anderson’s eighth feature film and one of his best, chronicles the bittersweet adventures of Gustave H (Ralph Fiennes), a legendary concierge at a famous European The Grand Budapest Hotel is one of Wes Anderson’s latest films. Wes Anderson if you are not familiar with him, is known for his very distinct style that most people either love or hate. Namely his very flat, symmetrical and highly colour vibrant scenes mixed with his very deadpan and emotional yet humorous script writing. ZzGRcWM.
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